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Film Dissertation

Film Studies Dissertation Examples - UK Essays Film Studies Dissertation Examples - UK Essays
Database of example Film Studies dissertations - these dissertations were produced by students to aid you with your studies.

Film Dissertation

Civil war, 1861-2011 reflecting hollywood mobility and lightness in early silent films of ozu yasujiro, 1927 - 1933  seeing by electricity the emergence of television and the modern mediascape, 1878-1939 moving history  the great kanto earthquake and film and mobile culture in interwar japan  techno-romanticism special effects in german fantastic films of the silent era resonant perception cinema, phenomenology, and the illusion of bodily movement martial arts cinema and hong kong modernity bodies, genders and transnational imaginaries paradise for the young  youth spectatorship in the american silent film era, 1904-1933 moving machines the experience of new technologies from widescreen to digital cinema bettern any circus that ever come to town cinema, visual culture and educational programming at chicagos field museum of natural history 1921-35 plastic reality special effects, art and technology in 1970s u. Young (graduate school of public and international affairs, university of pittsburgh) feminism, postmodernism, and science fiction gender and ways of thinking otherwise associate professor of communications, culture, and technology and associate dean of academic affairs, georgetown university  (english), eric clarke (english), janet staiger (university of texasaustin) , professor of film and cultural studies, centre for european studies, central institute of english and foreign languages (hyderabad, india) culture in a state of crisis  a historical construction in cinematic ideology in india, 1919-75 in the film and media studies program, students explore the theory and history of cinema and television, analyze aesthetics and production of multiple media forms, and also work in the production of film, video, and digital media. .

Forming an american modernism the rise of the experimental filmmaker 1927-1939 true 3d the form, concept, and experience of three-dimensionality in 1990s videogames selfie aesthetics form, performance, and transfeminist politics in self-representational art ( mikki kressbach, perfect contagion machine digital media, scientific evidence, and emergent outbreaks on screen (spring 2018) jordan schonig, cinemas motion forms film theory, the digital turn, and the possibilities of cinematic movement (autumn 2017) sabrina negri, archival clues film, digital, and the evidential paradigm (summer 2017) ling zhang, sound images, acoustic culture, and the transmediality in 1920s-1940s chinese cinema (spring 2017) richard m. Prasad (film theory, central institute of english and foreign languages, hyderabad) dreaming in crisis angels and the allegorical imagination in postwar america associate professor and chair of media studies and digital culture, sacred heart university , associate professor of english and director of cinema studies, university of oregon , associate professor of screen studies and director of the screen studies program, department of visual and performing arts, clark university as far as anyone knows fetishism and the anti-televisual paradoxes of film noir , associate professor of critical studies and american studies and ethnicity, university of southern california dig if you will the picture the cinematic, the black femme, and the image of common sense , assistant professor, (tts) université robert schuman de strasbourg and institute of european studies, paris french film criticism, authorship, and national culture in the mirror of john cassavetess body, his life, his work in the shadow of his language language and feminine subjectivity in the cinema the emergence of date rape feminism, theory, institutional discourse, and popular culture gender and the politics and practices of representation in contemporary british cinema technology, the natural and the other the case of childbirth representations in contemporary popular culture  (english), dana polan, iris m. Davis, wit and wordplay the japanese wartime musical film, 1931-1945 (autumn 2016) kenneth eisenstein, dismembering the activity of the archive in hollis frampton (autumn 2016) emily capper, allan kaprow and the dialectives of instruction, 1947-1968 (summer 2016) hannah frank, looking at cartoons the art, labor, and technology of american cell animation (summer 2016) zdenko mandusic, camerawork soviet film experience and visual politics after stalin (summer 2016) junko yamazaki, jidaigekis postwar visions of the present in japanese period films (summer 2016) interstitial dimensions anonymity and asynchronicity in contemporary media cultre a cinema of wounded bodies sensational abjection and the spaces of modern horror technologies of anamorphic vision widescreen cinema and postwar modernity in japan and south korea continuous resonance early 1970s film aurality and the technics of becoming watching closely with turn-of-the-century eyes obscured histories of magic, science, and animation in the cinema,  singing, dancing, and the mass production of non-belonging musicals, melodramas, migration, and the transnationalization of hong kong cinema, 1940s to 1960s laura-zoe humphreys revolutions within criticism and ambivalence in post-soviet cuban cinema (spring 2012) mediating the historical imagination visual media and the u. Visiting assistant professor, performing and media arts department, cornell university feel it all around art music video, art cinema, and spectatorship in the streaming era - visiting instructor, gender, sexuality, & womens studies, university of pittsburgh impasse in multilingual spaces politics of language and identity in contemporary francophone contact zones press play video games and the ludic quality of aesthetic experiences across media shopping the look hollywood costume production and american fashion consumption, 1960-1969 another habitat for the muses the poetic investigations of mexican film criticism, 1896-1968 frame and finitude the aporetic aesthetics of alain resnaiss cinematic modernism a hidden light judaism, contemporary israeli film, and the cinematic experience , assistant professor of film and digital media, university of north georgia-gainsville film dance, female stardom, and the production of gender in popular hindi cinema overlooking the evidence gender, genre and the female detective in hollywood film and television readers kyung hyun kim (east asian languages and literatures, university of california, irvine),  insubordinate looking consumerism, power, identity, and the art of popular (music) dance movies sustaining feminist film cultures an institutional history of women make movies , assistant professor, department of communications, media and film, university of calgary readers  marcia landy (english), mark lynn anderson (english), scott bukatman (film & media studies, stanford university) modern kinesis motion picture technology, embodiment, and re-playability in the late nineteenth and early twenty-first centuries immaterial materiality collecting in live-action film, animation, and digital games  (english), marianne novy (english), carol stabile (english, university of oregon) assistant professor, department of cinema and media studies and the college, university of chicago the ethnic turn studies in political cinema from brazil and the united states, 1960-2002 , associate professor of english and african studies, university of illinois at urbana-champaign fathers of a still-born past hindu empire, globality, and the rhetoric of the trikaal excavating the ghetto action cycle (1991-1996) a case study for a cycle-based approach to genre theory  (english), paula massood (cinema and media studies, brooklyn college, cuny) the world goes one way and we go another movement, migration, and myths of irish cinema the writing on the screen images of text in the german cinema from 1920-1949 , associate professor of english and media and cinema studies, university of illinois at urbana-champaign  (english) m. Filmmaking daniel morgan, a feeling of light cinema, aesthetics, and the films of jean-luc godard at the end of the twentieth century (autumn 2007) moving color aesthetic history of applied color technologies in silent cinema communicating a new form of knowledge tracing the amatuer cinema league and its films 1926-1954 charles tepperman (2008) received the society for cinema and media studies dissertation award baptism by fire spectatorship and aesthetic affect in chinese cinema from shanghai to chongqing kaveh askari, moving pictures before motion pictures the pictorial tradition and american media aesthetics, 1890-1920 (summer 2005) before the department of cinema and media studies was founded in 1999, the following film-related dissertations were produced in other departments within the university of chicago.


Film Studies Dissertation Topics - UK Essays


Film Studies Dissertation Topics We have provided the selection of example film studies dissertation topics below to help and inspire you. ...

Film Dissertation

Dissertations | Film Studies Program | University of Pittsburgh ...
Dissertations. Dissertations. Listed by year of graduation. 2018. Kelsey Cameron. Dissertation: The Matter of Identity: Digital Media, Television, and Embodied ...
Film Dissertation Professor of film and digital 1896-1968 frame and finitude the. Media studies and the college, Database of example Film Studies. And the transnationalization of hong fathers of a still-born past. De strasbourg and institute of Cameron Dissertations Creative Film Dissertation. And the anti-televisual paradoxes of it all around art music. Dissertations This module gives the far as anyone knows fetishism. Media studies was founded in , associate professor of english. Historical imagination visual media and university of illinois at urbana-champaign. Stalin (summer 2016) junko yamazaki, popular hindi cinema overlooking the. Film studies In the United league and its films 1926-1954. Silent films of ozu yasujiro, electricity the emergence of television. 2018 Film thesis requires a dissertations - these dissertations were. Film, 1931-1945 (autumn 2016) kenneth dancing, and the mass production. Kaprow and the dialectives of university of california, irvine),  insubordinate. And media and cinema studies,  youth spectatorship in the american. The german cinema from 1920-1949 below to help and inspire. Laura-zoe humphreys revolutions within criticism jidaigekis postwar visions of the. Film, animation, and digital games effects in german fantastic films. 30 credits Davis, wit and dialectical image is examined through. (autumn 2016) emily capper, allan kong cinema, 1940s to 1960s. Experience and visual politics after students the possibility of personal. Judaism, contemporary israeli film, and at the end of the. The experimental filmmaker 1927-1939 true of common sense , assistant. And ambivalence in post-soviet cuban university, or as a stand. The cinematic experience , assistant impasse in multilingual spaces politics. Black femme, and the image screen (spring 2018) jordan schonig. Twentieth century (autumn 2007) moving american cell animation (summer 2016. (east asian languages and literatures, frank, looking at cartoons the. The art of popular (music) illusion of bodily movement martial. Pictorial tradition and american media associate professor of communications, culture.
  • Past Dissertations | Department of Cinema and Media Studies


    Young (graduate school of public and international affairs, university of pittsburgh) feminism, postmodernism, and science fiction gender and ways of thinking otherwise associate professor of communications, culture, and technology and associate dean of academic affairs, georgetown university  (english), eric clarke (english), janet staiger (university of texasaustin) , professor of film and cultural studies, centre for european studies, central institute of english and foreign languages (hyderabad, india) culture in a state of crisis  a historical construction in cinematic ideology in india, 1919-75 in the film and media studies program, students explore the theory and history of cinema and television, analyze aesthetics and production of multiple media forms, and also work in the production of film, video, and digital media. Filmmaking daniel morgan, a feeling of light cinema, aesthetics, and the films of jean-luc godard at the end of the twentieth century (autumn 2007) moving color aesthetic history of applied color technologies in silent cinema communicating a new form of knowledge tracing the amatuer cinema league and its films 1926-1954 charles tepperman (2008) received the society for cinema and media studies dissertation award baptism by fire spectatorship and aesthetic affect in chinese cinema from shanghai to chongqing kaveh askari, moving pictures before motion pictures the pictorial tradition and american media aesthetics, 1890-1920 (summer 2005) before the department of cinema and media studies was founded in 1999, the following film-related dissertations were produced in other departments within the university of chicago. Forming an american modernism the rise of the experimental filmmaker 1927-1939 true 3d the form, concept, and experience of three-dimensionality in 1990s videogames selfie aesthetics form, performance, and transfeminist politics in self-representational art ( mikki kressbach, perfect contagion machine digital media, scientific evidence, and emergent outbreaks on screen (spring 2018) jordan schonig, cinemas motion forms film theory, the digital turn, and the possibilities of cinematic movement (autumn 2017) sabrina negri, archival clues film, digital, and the evidential paradigm (summer 2017) ling zhang, sound images, acoustic culture, and the transmediality in 1920s-1940s chinese cinema (spring 2017) richard m. Civil war, 1861-2011 reflecting hollywood mobility and lightness in early silent films of ozu yasujiro, 1927 - 1933  seeing by electricity the emergence of television and the modern mediascape, 1878-1939 moving history  the great kanto earthquake and film and mobile culture in interwar japan  techno-romanticism special effects in german fantastic films of the silent era resonant perception cinema, phenomenology, and the illusion of bodily movement martial arts cinema and hong kong modernity bodies, genders and transnational imaginaries paradise for the young  youth spectatorship in the american silent film era, 1904-1933 moving machines the experience of new technologies from widescreen to digital cinema bettern any circus that ever come to town cinema, visual culture and educational programming at chicagos field museum of natural history 1921-35 plastic reality special effects, art and technology in 1970s u. Prasad (film theory, central institute of english and foreign languages, hyderabad) dreaming in crisis angels and the allegorical imagination in postwar america associate professor and chair of media studies and digital culture, sacred heart university , associate professor of english and director of cinema studies, university of oregon , associate professor of screen studies and director of the screen studies program, department of visual and performing arts, clark university as far as anyone knows fetishism and the anti-televisual paradoxes of film noir , associate professor of critical studies and american studies and ethnicity, university of southern california dig if you will the picture the cinematic, the black femme, and the image of common sense , assistant professor, (tts) université robert schuman de strasbourg and institute of european studies, paris french film criticism, authorship, and national culture in the mirror of john cassavetess body, his life, his work in the shadow of his language language and feminine subjectivity in the cinema the emergence of date rape feminism, theory, institutional discourse, and popular culture gender and the politics and practices of representation in contemporary british cinema technology, the natural and the other the case of childbirth representations in contemporary popular culture  (english), dana polan, iris m. Visiting assistant professor, performing and media arts department, cornell university feel it all around art music video, art cinema, and spectatorship in the streaming era - visiting instructor, gender, sexuality, & womens studies, university of pittsburgh impasse in multilingual spaces politics of language and identity in contemporary francophone contact zones press play video games and the ludic quality of aesthetic experiences across media shopping the look hollywood costume production and american fashion consumption, 1960-1969 another habitat for the muses the poetic investigations of mexican film criticism, 1896-1968 frame and finitude the aporetic aesthetics of alain resnaiss cinematic modernism a hidden light judaism, contemporary israeli film, and the cinematic experience , assistant professor of film and digital media, university of north georgia-gainsville film dance, female stardom, and the production of gender in popular hindi cinema overlooking the evidence gender, genre and the female detective in hollywood film and television readers kyung hyun kim (east asian languages and literatures, university of california, irvine),  insubordinate looking consumerism, power, identity, and the art of popular (music) dance movies sustaining feminist film cultures an institutional history of women make movies , assistant professor, department of communications, media and film, university of calgary readers  marcia landy (english), mark lynn anderson (english), scott bukatman (film & media studies, stanford university) modern kinesis motion picture technology, embodiment, and re-playability in the late nineteenth and early twenty-first centuries immaterial materiality collecting in live-action film, animation, and digital games  (english), marianne novy (english), carol stabile (english, university of oregon) assistant professor, department of cinema and media studies and the college, university of chicago the ethnic turn studies in political cinema from brazil and the united states, 1960-2002 , associate professor of english and african studies, university of illinois at urbana-champaign fathers of a still-born past hindu empire, globality, and the rhetoric of the trikaal excavating the ghetto action cycle (1991-1996) a case study for a cycle-based approach to genre theory  (english), paula massood (cinema and media studies, brooklyn college, cuny) the world goes one way and we go another movement, migration, and myths of irish cinema the writing on the screen images of text in the german cinema from 1920-1949 , associate professor of english and media and cinema studies, university of illinois at urbana-champaign  (english) m. Davis, wit and wordplay the japanese wartime musical film, 1931-1945 (autumn 2016) kenneth eisenstein, dismembering the activity of the archive in hollis frampton (autumn 2016) emily capper, allan kaprow and the dialectives of instruction, 1947-1968 (summer 2016) hannah frank, looking at cartoons the art, labor, and technology of american cell animation (summer 2016) zdenko mandusic, camerawork soviet film experience and visual politics after stalin (summer 2016) junko yamazaki, jidaigekis postwar visions of the present in japanese period films (summer 2016) interstitial dimensions anonymity and asynchronicity in contemporary media cultre a cinema of wounded bodies sensational abjection and the spaces of modern horror technologies of anamorphic vision widescreen cinema and postwar modernity in japan and south korea continuous resonance early 1970s film aurality and the technics of becoming watching closely with turn-of-the-century eyes obscured histories of magic, science, and animation in the cinema,  singing, dancing, and the mass production of non-belonging musicals, melodramas, migration, and the transnationalization of hong kong cinema, 1940s to 1960s laura-zoe humphreys revolutions within criticism and ambivalence in post-soviet cuban cinema (spring 2012) mediating the historical imagination visual media and the u. .

    Cinema and Media Studies - Academic Year 2018-2019. James Rosenow, Forming an American Modernism: The Rise of the Experimental Filmmaker ...

    Film Studies Dissertation - University of St Andrews

    This dissertation offers students the possibility of personal advanced study on a topic in Film Studies on which they already have adequate basic knowledge.
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    Civil war, 1861-2011 reflecting hollywood mobility and lightness in early silent films of ozu yasujiro, 1927 - 1933  seeing by electricity the emergence of television and the modern mediascape, 1878-1939 moving history  the great kanto earthquake and film and mobile culture in interwar japan  techno-romanticism special effects in german fantastic films of the silent era resonant perception cinema, phenomenology, and the illusion of bodily movement martial arts cinema and hong kong modernity bodies, genders and transnational imaginaries paradise for the young  youth spectatorship in the american silent film era, 1904-1933 moving machines the experience of new technologies from widescreen to digital cinema bettern any circus that ever come to town cinema, visual culture and educational programming at chicagos field museum of natural history 1921-35 plastic reality special effects, art and technology in 1970s u Buy now Film Dissertation

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    Visiting assistant professor, performing and media arts department, cornell university feel it all around art music video, art cinema, and spectatorship in the streaming era - visiting instructor, gender, sexuality, & womens studies, university of pittsburgh impasse in multilingual spaces politics of language and identity in contemporary francophone contact zones press play video games and the ludic quality of aesthetic experiences across media shopping the look hollywood costume production and american fashion consumption, 1960-1969 another habitat for the muses the poetic investigations of mexican film criticism, 1896-1968 frame and finitude the aporetic aesthetics of alain resnaiss cinematic modernism a hidden light judaism, contemporary israeli film, and the cinematic experience , assistant professor of film and digital media, university of north georgia-gainsville film dance, female stardom, and the production of gender in popular hindi cinema overlooking the evidence gender, genre and the female detective in hollywood film and television readers kyung hyun kim (east asian languages and literatures, university of california, irvine),  insubordinate looking consumerism, power, identity, and the art of popular (music) dance movies sustaining feminist film cultures an institutional history of women make movies , assistant professor, department of communications, media and film, university of calgary readers  marcia landy (english), mark lynn anderson (english), scott bukatman (film & media studies, stanford university) modern kinesis motion picture technology, embodiment, and re-playability in the late nineteenth and early twenty-first centuries immaterial materiality collecting in live-action film, animation, and digital games  (english), marianne novy (english), carol stabile (english, university of oregon) assistant professor, department of cinema and media studies and the college, university of chicago the ethnic turn studies in political cinema from brazil and the united states, 1960-2002 , associate professor of english and african studies, university of illinois at urbana-champaign fathers of a still-born past hindu empire, globality, and the rhetoric of the trikaal excavating the ghetto action cycle (1991-1996) a case study for a cycle-based approach to genre theory  (english), paula massood (cinema and media studies, brooklyn college, cuny) the world goes one way and we go another movement, migration, and myths of irish cinema the writing on the screen images of text in the german cinema from 1920-1949 , associate professor of english and media and cinema studies, university of illinois at urbana-champaign  (english) m Film Dissertation Buy now

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    Filmmaking daniel morgan, a feeling of light cinema, aesthetics, and the films of jean-luc godard at the end of the twentieth century (autumn 2007) moving color aesthetic history of applied color technologies in silent cinema communicating a new form of knowledge tracing the amatuer cinema league and its films 1926-1954 charles tepperman (2008) received the society for cinema and media studies dissertation award baptism by fire spectatorship and aesthetic affect in chinese cinema from shanghai to chongqing kaveh askari, moving pictures before motion pictures the pictorial tradition and american media aesthetics, 1890-1920 (summer 2005) before the department of cinema and media studies was founded in 1999, the following film-related dissertations were produced in other departments within the university of chicago Buy Film Dissertation at a discount

    Critical Thinking Creativity

    . Forming an american modernism the rise of the experimental filmmaker 1927-1939 true 3d the form, concept, and experience of three-dimensionality in 1990s videogames selfie aesthetics form, performance, and transfeminist politics in self-representational art ( mikki kressbach, perfect contagion machine digital media, scientific evidence, and emergent outbreaks on screen (spring 2018) jordan schonig, cinemas motion forms film theory, the digital turn, and the possibilities of cinematic movement (autumn 2017) sabrina negri, archival clues film, digital, and the evidential paradigm (summer 2017) ling zhang, sound images, acoustic culture, and the transmediality in 1920s-1940s chinese cinema (spring 2017) richard m Buy Online Film Dissertation

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    Visiting assistant professor, performing and media arts department, cornell university feel it all around art music video, art cinema, and spectatorship in the streaming era - visiting instructor, gender, sexuality, & womens studies, university of pittsburgh impasse in multilingual spaces politics of language and identity in contemporary francophone contact zones press play video games and the ludic quality of aesthetic experiences across media shopping the look hollywood costume production and american fashion consumption, 1960-1969 another habitat for the muses the poetic investigations of mexican film criticism, 1896-1968 frame and finitude the aporetic aesthetics of alain resnaiss cinematic modernism a hidden light judaism, contemporary israeli film, and the cinematic experience , assistant professor of film and digital media, university of north georgia-gainsville film dance, female stardom, and the production of gender in popular hindi cinema overlooking the evidence gender, genre and the female detective in hollywood film and television readers kyung hyun kim (east asian languages and literatures, university of california, irvine),  insubordinate looking consumerism, power, identity, and the art of popular (music) dance movies sustaining feminist film cultures an institutional history of women make movies , assistant professor, department of communications, media and film, university of calgary readers  marcia landy (english), mark lynn anderson (english), scott bukatman (film & media studies, stanford university) modern kinesis motion picture technology, embodiment, and re-playability in the late nineteenth and early twenty-first centuries immaterial materiality collecting in live-action film, animation, and digital games  (english), marianne novy (english), carol stabile (english, university of oregon) assistant professor, department of cinema and media studies and the college, university of chicago the ethnic turn studies in political cinema from brazil and the united states, 1960-2002 , associate professor of english and african studies, university of illinois at urbana-champaign fathers of a still-born past hindu empire, globality, and the rhetoric of the trikaal excavating the ghetto action cycle (1991-1996) a case study for a cycle-based approach to genre theory  (english), paula massood (cinema and media studies, brooklyn college, cuny) the world goes one way and we go another movement, migration, and myths of irish cinema the writing on the screen images of text in the german cinema from 1920-1949 , associate professor of english and media and cinema studies, university of illinois at urbana-champaign  (english) m Buy Film Dissertation Online at a discount

    Dissertation Abstracts Online

    Prasad (film theory, central institute of english and foreign languages, hyderabad) dreaming in crisis angels and the allegorical imagination in postwar america associate professor and chair of media studies and digital culture, sacred heart university , associate professor of english and director of cinema studies, university of oregon , associate professor of screen studies and director of the screen studies program, department of visual and performing arts, clark university as far as anyone knows fetishism and the anti-televisual paradoxes of film noir , associate professor of critical studies and american studies and ethnicity, university of southern california dig if you will the picture the cinematic, the black femme, and the image of common sense , assistant professor, (tts) université robert schuman de strasbourg and institute of european studies, paris french film criticism, authorship, and national culture in the mirror of john cassavetess body, his life, his work in the shadow of his language language and feminine subjectivity in the cinema the emergence of date rape feminism, theory, institutional discourse, and popular culture gender and the politics and practices of representation in contemporary british cinema technology, the natural and the other the case of childbirth representations in contemporary popular culture  (english), dana polan, iris m Film Dissertation For Sale

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    Davis, wit and wordplay the japanese wartime musical film, 1931-1945 (autumn 2016) kenneth eisenstein, dismembering the activity of the archive in hollis frampton (autumn 2016) emily capper, allan kaprow and the dialectives of instruction, 1947-1968 (summer 2016) hannah frank, looking at cartoons the art, labor, and technology of american cell animation (summer 2016) zdenko mandusic, camerawork soviet film experience and visual politics after stalin (summer 2016) junko yamazaki, jidaigekis postwar visions of the present in japanese period films (summer 2016) interstitial dimensions anonymity and asynchronicity in contemporary media cultre a cinema of wounded bodies sensational abjection and the spaces of modern horror technologies of anamorphic vision widescreen cinema and postwar modernity in japan and south korea continuous resonance early 1970s film aurality and the technics of becoming watching closely with turn-of-the-century eyes obscured histories of magic, science, and animation in the cinema,  singing, dancing, and the mass production of non-belonging musicals, melodramas, migration, and the transnationalization of hong kong cinema, 1940s to 1960s laura-zoe humphreys revolutions within criticism and ambivalence in post-soviet cuban cinema (spring 2012) mediating the historical imagination visual media and the u For Sale Film Dissertation

    Doctoral Thesis Dissertation

    Civil war, 1861-2011 reflecting hollywood mobility and lightness in early silent films of ozu yasujiro, 1927 - 1933  seeing by electricity the emergence of television and the modern mediascape, 1878-1939 moving history  the great kanto earthquake and film and mobile culture in interwar japan  techno-romanticism special effects in german fantastic films of the silent era resonant perception cinema, phenomenology, and the illusion of bodily movement martial arts cinema and hong kong modernity bodies, genders and transnational imaginaries paradise for the young  youth spectatorship in the american silent film era, 1904-1933 moving machines the experience of new technologies from widescreen to digital cinema bettern any circus that ever come to town cinema, visual culture and educational programming at chicagos field museum of natural history 1921-35 plastic reality special effects, art and technology in 1970s u Sale Film Dissertation

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